Archive for the 'music' Category

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Porque te vas

This is a song I like to play when I’m DJing, it makes people smile: “Porque Te Vas” by Jeanette (Dimech).

I got reminded of this song by a newsletter of the Beursschouwburg, they’re doing a “Porque Te Vas” contest where people can bring new versions of this classic. Inscription before Oct 10th, and the event is held on Oct 24th, with hosts STIJN and Pieter De Buysser, the jury consists of Maria Tarantino and Stijn Meuris.

Hoy en mi ventana brilla el sol
Y el corazon
Se pone triste contemplando la ciudad
Porque te vas

id3.exe – ideal tool for tagging and renaming MP3 files

I want to mention a little tool that helped me out twice in the last week, and that I find very little info about online. It’s a Windows command-line MP3 file tagger and renamer called id3.exe. Since I forgot where I downloaded it from and Google doesn’t give me a clue either: here’s where you can download id3.exe.

ID3.exe can do several things, of which I will just cite the things I actually used:

  • it can obviously set ID3 tags in MP3 files (that is, ID3v1 and v2). The first time it adds ID3v2 tags which are stored in the beginning of the file (necessary when you need the info right when you start reading the file, like with streaming), the whole file has to be rewritten, but subsequent modifications are really fast.
    id3.exe -1 -2 -g [genre] -c "[Copyright notice]" -l "[Album name]" "%OUTPUT%"
  • set the ID3 tags of one file to those of another. I needed this when I transcoded MP3 files to a lower bitrate with LAME. LAME does not copy the existing ID3 tags to the new file. So I used ID3.exe to just copy those from the source file.
    id3.exe -D %INPUT% -1 -2 "%OUTPUT%"
  • Rename the file according to the MP3 tags. I had a big collection of MP3 files called “01 Track01″ without any MP3 tags. I first set the ID3 tags based upon the folder structure (the folder name was the Album name), and then renamed them to “[Artist name] – [Album name] - [Track N°].mp3″.
    id3.exe -2 -f "%%a - %%l - %%t.rbs" "%OUTPUT%"
  • Id3 can also deduct album names, artist, song titles and track number from the complete filename + path.

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Point and shoot badly

Luciano Supervieille I went to the concert of Bajofondo Tango Club in Brugge last Friday. Of course I took my Canon 350D along and shot a lot of pictures. I never use a flash for concert pictures, certainly not since I started using a 50mm f/1.8 and I can grab quite a lot of light with it. I usually use ‘Aperture priority’ mode (with aperture on 1.8, obviously) and use the automatic focus, because I’m not good enough at doing that manually. You sometimes have to wait for the right podium lights to go on, include some light spots in the frame so that your camera uses a shorter shutter but above all, you have to be lucky.

The pictures that came out rather well are in my Flickr Bajofondo Tango Club album.

I did have some fun with a guy in front of me with a ‘point-and-shoot’ camera, it might have been a Canon Ixus or something. He added a twist to the common ‘people-using-a-camera-flash-from-a-distance’ error. He would see a beautiful image in his viewer, push the button and a totally awful grayish picture would show up as a result. For his sake and that of other P&S’ers, here’s two rules for using it in a concert where you’re in the audience.

Rule #1: do not use your camera flash

You have a simple small flash in your camera that might reach as far as 5m maybe, but it is of no use for a podium 20m away. Your camera will think that the subject of your photo will receive a bunch of light from it and choose a faster shutter. The light of your flash will never reach those musicians, but chances are some will fall on members of the audience that are standing nearby, so the only thing that will light up is some bald heads, a fake blonde and a lot of dandruff.

Switch the flash to ‘off’ or use the ‘landscape’ setting! If your camera permits it, set the ISO-setting to as high as 800ISO (if you own a 1000€-plus camera, 1600ISO is safe too, but you shouldn’t be reading this then). This will make the image grainier, but will make the shutter time shorter. If the scene is still too dark and your camera uses shutter times of more than 1/20 sec, try to include more light in the composition. Don’t zoom in too much, it will only make things worse. You can always crop the picture when you’re home.

Remember: when you’re using a small flash at a concert, or even worse, a mobile phone with the built-in flash from 30m away, you look like an utter amateur.

Rule #2: do not hold your finger in front of the flash

This one cracked me up: the guy in front of me held his left index finger right in front of his flash. So most of his pictures were extremely dark, with the odd one that included a completely white fragment of his finger. The only times that this wasn’t the case, was when he took pictures in portrait, turning his camera 90 degrees to the left, which brought his flash even lower and added quite some very bright shoulders to the composition.

So, if your flash photos are way too dark, and your finger feels very warm whenever you take a picture, check where the flash sits on your compact camera and make sure you put no bodily parts in front of it.

Bajofondo Tango Club

Arno on the Francofolies

Arno and his deep-philosophical reflections on life, music and being paid.

(Interview on RTBF about the Francofolies festival)

“Je suis ouvert comme une vielle pute… Tu vois le bazar !?”
“Je ne pense pas, ce sont les soeurs catholiques qui pensent”

One continuous line movie


This is the video to “In Context” by Field Music. It’s just a hand drawing a really long line on a white background, but it’s worth watching until the end.
(via infosthetics.com)
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The godfather of disco

I got an email from Gene Graham, who has just finished his first full-length documentary on the early days of Disco. Me being a fan of house and disco music, that is one movie I’d like to see!

The Godfather of Disco is a feature-length documentary based on Mel Cheren’s powerful autobiography: My Life and the Paradise Garage: Keep On Dancin’. Through a series of interviews with a who’s who of the dance music community, The Godfather of Disco follows the arc of Mel’s life to examine the early 70s musical and cultural currents that gave birth to disco; West End Records‘ contribution to that scene; and the rise of the Paradise Garage.
(…)
This documentary not only celebrates the foundation of the dance music scene, it contains interviews with some of todays biggest industry players like Louis Vega, Kevin Hedge, Tony Humphries, Louis Benedetti, Barbara Tucker, and Deli G to name a few.

Gene has already won the Emerging Filmmaker Award at the 2007 Minneapolis/St.Paul Internationla Film Festival. I wish him all the best for the other festivals where the movie will be shown, and I hope I get to see it eventually!

Prefab Sprout: Steve McQueen Legacy edition

This week in my newspaper: there’s a re-issue of the fabulous “Steve McQueen” album (1985) by Prefab Sprout. Prefab Sprout is: songwriter Paddy McAloon on vocals, guitars, keyboards, Martin McAloon on bass, Wendy Smith on backing vocals, guitars, Neil Conti on drums. It was one of the first vinyl records I ever bought and certainly one of the best. The quality of the album might have something to do with the producer: Thomas Dolby.

Big surprise: instead of having to look for the lyrics on some shady spyware-infested illegal site, you can find them right there on the Prefab Sprout site:

My love and I, we are boxing clever
She’ll never crowd me out
Fall be free as old confetti
And paint the town, paint the town
(When Love Breaks Down)

What does it mean? I have no idea.

For those of you for who the group name does not ring a bell, here’s some videos, taking you back, all the way to the eighties!

“When love breaks down”

Continue reading ‘Prefab Sprout: Steve McQueen Legacy edition’

Nokia Nsights on Music

Nsights

I got invited by Nokia to talk a bit about podcasting and music discovery. The results of that interview, combined with opinions of Clo Willaerts, Alex Koprivnicanec, Steven Lemmens and Dieter Sermeus, can be found on the Nokia Nsights blog. Instead of just creating a sales brochure for their N95 phone, Nokia created a place where new technologies and trends are discussed, thus touching the bleeding edge of Internet, music, photo, video, and GPS usage. The perfect positioning for a state-of-the-art phone like the N95.

Today, the Nokia N95 starts a new and exciting future, building on the combination of all these revolutionary devices. Therefore, we’ve invited visionaries from across the technology world to share their insights into different parts of the future that got here early.

The videos

Podcasting: the rise of audio content

Discovering new music got easy

The videos for Internet and Music are already online, the others will follow soon!